
When my wife and I arrived at the theater yesterday evening, the line for Fahrenheit 9/11 was a good 200-300 feet long and stretched all the way from the ticket office to the opposite wall and back towards the mall entrance.
A local news team was on hand and a young reporter in a pink dress was walking around and interviewing moviegoers while attempting to keep her balance on a pair of high heels that were thin as toothpicks.
"Hey, news people," a guy a few feet behind me said as the camera swung to focus on him. "President Bush is Number ONE!!!" The man then brandished his middle finger as proof that Bush was in fact Number 1.
The crowd was definitely the largest I've seen for this type of movie, and the largest I'd seen in awhile. I typically don't like to see documentaries on the big screen but I was anxious to see if all the hype leading up to the film had been worth it.
Just then I saw an older guy toting a full-sized American flag and a folding chair walk up to a spot near the line and began to set up what I assumed was going to be some sort of anti-Moore protest table. As the guy's wife began to set up the portable table they had brought along, mall security came over and informed them that they were on private property and would have to leave if they were not going to see a movie.
After a long wait, the line finally began to move and we soon found ourselves a couple of prime seats within the theater, which was soon filled to capacity as the house the house lights went down.
What followed after was 121 minutes of the most gut-wrenchingly powerful and quite often, hilarious film footage I have ever seen.
Beginning with the stolen election of 2000, Moore paints a gripping picture of a man who was swept into office on a raft of lies and whose utter incompetence was momentarily redeemed by the national tragedy of 9/11, an event that the Bush Administration chose to exploit to keep the nation on a permanent, fear-based war footing.
Yes, Moore does rake Bush over the coals, and rightly so. But he also blasts Democrats for not speaking out against the raw injustice of the 2000 election and later, for going along with the national tide of bloodlust that preceded our invasion of Iraq.
Moore also chides the media for the 2000 election debacle and for their complete and utter failure to do their jobs prior to, and during the Iraq war.
Also criticized are the Saudi royal family, the Carlyle Group, Halliburton, and every other company that has profited from the war in Iraq.
Critics say that the film is misleading. I hate to say it, but they're right.
Moore makes no mention at all of the fact that Bush spent the first 40 years of his life as an arrogant and obnoxious alcoholic.
But seriously, I'm not sure how people can make this claim when the facts about the slimy ties that bind the Bushes, the Bin Ladens, the Saudis, Halliburton and Iraq are all laid out for everyone to see.
I suggest that Bush supporters should watch this movie and pretend that it's Bill Clinton that's being skewered. Put him in the middle of all those entangling alliances and be honest with yourself about how it would make you feel.
I seem to recall conservatives going apeshit during the Clinton Administration a few years back when all the allegations of Chinese influence peddling surfaced. If the thought of excessive Chinese influence is so bad, then why is it any different with the Saudis?
Yes, Moore does show scenes that are gruesome and heart-wrenching in their depiction of the suffering of US soldiers and Iraqis as well. But he does this to underscore the madness of an unecessary war that was justified by a series of lies and the manipulated emotions of a nation still raw from the horror of 9/11.
One of the film's more disgusting moments is at the very beginning when filmgoers are treated to the hideous sight of Paul Wolfowitz soaking his comb in his mouth before running it through his hair.
Moore covers a great deal of ground in the film and succeeds in bringing together a number of disparate threads that were either ignored or downplayed altogether by the so-called mainstream media. Most people are too damned busy or otherwise distracted to catch all this stuff as it happens and Moore does a great job of revealing all the entangling alliances that led up to the Iraq war.
Words can be damning things, and there are few images more damning than the film footage of George Dubya speaking to a well-heeled crowd and saying, "This is an impressive crowd. The haves and the have-mores. Some people call you the elite. I call you my base" or tooling around on a golf course, exhorting world leaders to fight terrorism with all their might before hoisting his golf club and saying, "Now, watch this drive!"
As Moore says, the facts laid out in F911 are irrefutable, but F9/11 is essentially an op/ed piece. As is the case with any fact, there will always be at least two different ways of looking at those facts.
Bush's detractors will see an election stolen by a dimwitted stooge of neo-conservative military-industrial interests who exploited a national tragedy to keep people in a state of perpetual fear while enriching his base and imposing an Orwellian domestic agenda.
Bush supporters will see a valid election that was validated even further by 9/11 and that everything since has been right, good, and necessary because of America's position as the sole remaining superpower.
Either way, anyone who truly cares about this country owes it to themselves to see the facts for themselves and to think long and hard about where we've been, where we are, and where we're going.
ADDENDUM
I went to see it again last night. This time at a different theater. There were fewer people this time around and the crowd was less rowdy than the one that showed up for opening night.
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